Saturday 19 February 2011

White Lies - Newcastle O2 Academy - 17th February


Tonight is a little puzzling to me. See, I still think of White Lies as being a small, 'cultish' band with a loyal but limited following. This makes no real sense because they have bags of tunes and wide appeal, even so this thought prevails. I'm strangely excited then to see they've filled the Academy to bursting. An even more impressive feat when you consider their average audience member is a tiny fifteen year old taking up no space at all.

They're popular then. Radio hits. The new album 'Ritual' draws in a new audience too. And they’re still accepting goodwill for their excellent debut album. All very much deserved and earned. Touring continually. I get it, I really do.

I'm a genuine fan of their songs. 'Bigger Than Us', 'Farewell to the Fairground', 'To Lose My Life', 'Strangers' - these all possess the melancholy and anthemic edge on stage that they evoke on the albums. The crowd of tweenies, and a few of us older souls, revel in singing every word. We dance and surge, raise our hands in praise and generally give it some welly throughout.

So, I'm puzzled why? Weirdly, I think we, the crowd. are working harder than the band. The reciprocal love isn’t felt coming from the stage. There are some cursory 'Thank you's' but doled out with a lack of passion. It feels pretty clinical and by turns insincere. Late in the set launching into 'Death', still by far their best song, I'm almost prepared to forgive their formulaic approach but really would have killed for some enthusiasm along with the cracking tunes.

Sunday 13 February 2011

The Joy Formidable, The Chapman Family - Newcastle O2 Academy, 8th February



My entry to tonight's gig is initially thwarted partly to PR inefficiancy, but happily I bump into The Chapman Family's front man Kingsley who kindly bundles me indoors just in time to watch his band play a blistering set in front of the packed crowd.

Support slots can be a thankless position but The Chapman Family's years of constant touring sees them take control as they belt through their abrasive pop-rock songs, showcasing imminent debut album 'Burn Your Town' (out March 7th). Current single 'Anxiety' rubs its hummable chorus up against the foreboding of 'Kids' and the hypnotic, sadomasochistic feel of 'A Million Dollars' and the mix fits very well.

With less than half a stage to suffice due to the headliners set-up, the Teeside quartet's already claustrophobic energy is given more reason to vent. With freedom to roam they'd undoubtedly reach more epic heights but they still play like their life depends on it and build to an incendiary climax, confirming new acolytes to their cause. Job done.

The Joy Formidable are also now reaping the rewards of a persistent life on the road. The Big Roar, their new album, is freshly squeezed and the trio of Ritzy, Rhydian and Matt relish the command their headliner role brings.

Opening with 'The Greatest Light Is The Greatest Shade', we're all called to joyous attention. Older set favourites are given an aural sparkle like the hopeful expectation of 'Whirring' or recent radio hit 'Austere' and newer album tracks prove to be instant crowd favourites. Dreamy guitar pop fills the venue and 'The Everchanging Spectrum of a Lie' sums up their appreciation of mood and melody perfectly.

The Joy Formidable are assured and entertaining and will only get bigger and better.